Sunday, May 19, 2013

Creating a Family Narrative


 
It had been a fabulous Mother’s Day, but not one I would have initially planned as my perfect day.  My kitchen was a disaster: dishes and pans and wine glasses littered our counter tops.  Toys were spread over the coffee table like art-imitating-life-gone-messy.  Outside, we lounged, exhausted, in porch chairs around the patio table.  The smaller cousins raced around the back yard, screaming and tossing bright balls in the air. 
Snuggled in her daddy’s lap, though, was my oldest girl.  As the adults talked and laughed, she watched our faces, and I knew what would happen next.  It’s the same almost every time we have visitors.
“Can we tell stories?”
And so it began.  Uncle Eric launched into an embarrassing tale complete with sound effects and voice-overs.  Aunt Emily made us roar with laughter and shake our heads in sympathy.  Nana recounted a childhood fiasco that had us giggling and tearing up.  We told family stories – and what we remembered of extended family stories – until sunset, with my seven-year-old listening and laughing and staring into the middle-distance, contemplating all she’d heard. 
Though our stories that night were lighthearted and silly, they were also universal.  As families, as cultural beings, we tell our stories, often passing them down through generations, teaching and guiding our little ones with shared history.  Sometimes, the stories are about a hardship that someone we know and love has overcome; sometimes they’re about failure, loss, or trial.  We remember details of hilarity and heartbreak, sweetness and success.  It all comes out in the retelling, and through it, our histories have meaning.
I read an article a few months back in The New York Times, titled, TheStories That Bind Us.  The author, Bruce Feiler (who has also written a book about the subject: The Secrets of Happy Families) had been researching the secrets behind what makes families and other organizations function better. From board rooms to dinner tables to military bases, Feiler searched for the common bridges that made groups work well together.  He found resilience, camaraderie, strong bonds, and a shared sense of teamwork among groups that practiced, of all things, lots and lots of storytelling. 
It turns out that kids (as well as employees, soldiers, and companies) tend to gain a whole passel of benefits from something as simple as having what Feiler calls a Family Narrative.  When children have heard (and heard, and heard again) the stories of oscillating hardship and success, disaster and recovery, they inherit a sense that their own lives aren’t about to be ruined by one misstep or embarrassment or failure.  They learn that we’re all a part of the whole, and that we’ll have troubles for sure.  But we’ll also have stories to tell about the wonderful moments mixed in among the difficulties.  Life is a mosaic of dark and light, and when we share the story of our great-grandparents’ wars or immigrations or recessions, we share the truth: we’ll survive.
The sharing of stories isn’t just something we do after a family meal, it’s a way to connect and communicate without lecturing.  It’s a way to build our kids into strong, resilient, happy human beings who look around them and see possibility rather than defeat. 
So tell your stories.  Create your family narrative.  Recount your histories, both good and bad, so that your children will know.  And in the telling, they’ll gain much more than a bit of entertainment.  They’ll be instilled with a personal history that can bolster them into adulthood.

 
[Originally published in The Joplin Globe]

Thursday, May 2, 2013

A Late-night Scolding: A Bigger Picture Moment

I've been trying to quiet my spaces, recently.  Both here, blog-wise, and in my head, I'm trying to be on-purpose calm.  It helps that I don't have as much free time as I used to: there just isn't a big chunk of the day that will hold me still in front of the computer.  So when I do get a moment of silence other than the one that comes right before I fall asleep, I'm trying not to fill it.

It's surprising to me (I don't know why; it makes perfect sense) how much creativity can flourish in that not-filled space.

I'm working on some stories that are more than short exercises.  I'm putting words in characters' mouths and filling their heads with ideas.  I'm trying so hard not to pressure myself, but I have to say: I want to write a novel.  I want to tell stories that other people will want to read, and I want to tell these stories to myself because they are sometimes as exciting as picking up a new book by a favorite author.  The fact that I want to write a book is bolstered and given wings because of the fact that I'm also having fun trying. 

So that's part of where I've been, lately, besides the usual: peeling dried grapes off the floor under the couch, combing bubblegum out of hair, filling humidifiers and dispensing allergy meds. 

But the more I write, the more it becomes clear to me that, though I enjoy it, I don't really know how to do it.  I don't have any degrees in writing.  I have never taken a creative writing course in my life.  I feel like those shouldn't preclude any true success (by which I mean the eventual finish of an entire manuscript, published or not), after all, amateurs are honest talents, too.  Writing doesn't have to be taught.   It can be felt.  I've proven this to myself time and again.  I feel it pulsing from my center.  Words and settings and conversations beg for release. 

Still, the lack of mechanical knowledge can stop me in my tracks.  Can frustrate me beyond redemption.

Last night I finished a cheap book on my Kindle that left me thinking: If SHE can write a book with this many problems -- plot, pacing, character development -- then what in the world is stopping me?  I made a quick study of all the ways I could improve upon this other author's work if she'd only passed me a copy of the book before it went to the publisher, and that made me wonder if my true calling isn't to be a writer, but an editor.  Not as glamorous, perhaps, as authoring, but editing is vital, right?  Because I do love to edit.  I love nitpicking and trying different words on for size.  I  enjoy the fixing and the smoothing. 

When I was a little girl, I rode the bus to school each day.  Forty-five minutes or more around rural routes and back roads.  The ditches were lined with weeds and grasses out of control.  I nestled into my seat, propped my knees on the back of the seat before me, and watched the ditches pass by.  And in my head, I pushed a lawn mower beside every road we traveled, clearing the rough, shoddy grass and leaving perfect strips of green neatness in my wake.  I cleaned it all up.  I made it beautiful where only tangles and brambles had been before.

So when I tried to fall asleep last night, it was with the thought that maybe I'll never be an author.  Maybe I'll just edit.

And somewhere in the back of my dulling brain after I'd closed my eyes, a few leftover thoughts flashed bright against the night, illuminating and stark:

Silly.  You can edit your OWN messy brambles.  Just keep writing.  You'll get to edit soon enough.

I slept well after that.  We'll see what tomorrow brings.




Monday, April 29, 2013

The Requirements

for childhood:

Mud.  A great lot of mud, squished between fingers and painted-on like gloves.


 
Sunshine.  For lighting your palms when filled with earth.  For seeing.
 

 
Puddles.  To step into with socks and toes and shins.  To splash through with screams.  To wash away the doldrums that accompany ceiling-topped rooms.
 

 
Shorelines.  For wandering, exploring, traveling, and dreaming.  For pirating and charting.  For setting sail and washing up.
 

 
Wind.  Because when it combs its fingers through your hair, you begin to fly.  And when you've begun to fly, the world cannot stop you.
 

 
Bravery.  For shoring you up and buffeting you forward and surrounding you when you're afraid.
 

 
Hugs. To keep your heart safe and your giggles replenished.  To hold you back and lift you up.
 

Tuesday, April 16, 2013

What Not to Read: The Wussy Edition

I have read some really interesting books in the past few months, friends.  There's a caveat, though: most of these books, while excellent, were also hideous bummers.

Here's what I mean.


Wintergirls by  Laurie Halse Anderson 
This author did exactly one thing: blow me away.  Her use of metaphor and emotion in language was stunning and often beautiful, even though the content was harsh.  The protagonist is also the antagonist: a teenage anorexic.  It's horrid, scary stuff, and I was drawn in so completely that it left me empty.  I couldn't take it.  Beautiful, frightening, and gut-checking.  This book is not good.  It is awful and exquisite, and I could recommend it for those qualities, but good?  No.






The Perks of Being a Wallflower by Stephen Chbosky
I read this on the advice of a dear friend, and I did love the book.  Every word and gesture, every blunt truth and honest sadness.  I can completely understand why this book has developed a cult following, and if I were a teenager reading this, I would have been devoted to its perfection.  But I'm a mom.  And I was disturbed by mom things.  By teenagers who hate their parents or parents who don't notice their kids.  By children who explore (because that's what children do, right?  Only now, it scares me).





The Night Circus by Erin Morgenstern
Oh, I'm only putting this out there because I feel like there was something lovely about The Night Circus, but I can't put my finger on it.  There's only so much redeeming you can do when the main characters are out to murder one another minus their own consent.  But it was magical, in a creepy way.  Still, I didn't want to be disturbed.  I wanted to be entertained.  Shallow?  Maybe.  As a book consumer, though, it's a valid desire.






The Fault in Our Stars by John Green
Love, love, loved this one, as have most others in the known literary world.  These characters were so complete, so real, that I felt like I knew them intimately.  Which, as it turns out, was a devastating effect, you know, because of the terminal cancer and all.  It's a true testament to good writing when you actually find yourself wanting to stay with the book even though you know it will hurt you in the end.  So, yeah: this one was perfect.  Still, I don't want to read any more like it for a good, long time.  Too many sad stories of families whose kids were invaded by bastardish cancer cells.  I don't want to think about it.   Let's move on.




The Hour I First Believed by Wally Lamb
Massive, scary behemoth that it was, I found much to love about this book.  I also found much to hate.  Much to question.  The main character in this book wasn't really lovable, but still, I couldn't not sympathize with him for all the absolutely shitty things he had to endure.  Some because of his own decision-making, but others?  Like the Columbine shooting?  His wife's incarceration?  His childhood?  Very ugly.  I wish I could sum it up more succinctly, but at almost 800 pages, the book defies narrowing.  It's just....big.  Depressingly large, both physically and mentally.  Now that I try, I can't remember what I liked about it.  Masterful writing, perhaps.  Compelling situations.  What else...?



So after all of those challenging and ugly things (which were mostly wrapped up in beautiful words), I've given up on literary endeavors for the time being.  I'm defecting to genre.  I can't help it, and judge me if you will, but I can't take the sadness of real life right now.  I find myself too wrapped up in what my children's futures hold to look bald-faced into the scarier parts of reality.  I know it could be rough.  I know it could get messy.  But I don't want to be disturbed right now. 

I want to relax and love my family in the present without imposing the possibilities of life on them. 

And that means that my reading choices will be geared toward the unlikely, the fantastical, the romantic, and the happily ever after. 

I just downloaded a romance about a cowboy and his big-city neighbor.  She moved to the wide-open spaces of Montana to escape the wilderness of her fallen-apart life.  I'm sure the cowboy will rescue her at some point.  Probably kiss her silly, too.

Bring it on, cowboy.

Bring it on.

Monday, April 15, 2013

Homecoming

They walked without me, and I couldn't say I was sorry.  I got golden silence.  I got silver stillness.  They got stretched out and unfurled.  They forced their noise into the big, big sky.  The sky must have absorbed it like a great, blue belly full of laughter. 
 
Anyway, they returned.
 
First, the screecher...
 
 
She bounced into home base.  I think she even flew at one point, which was probably against home-base-rules, but I'm a terrible umpire, so I let it pass.  It was either that, or devour her with penalty kisses.  Or maybe it was both.
 
 
Next, came the girl with the tucked-in tunic.  Her sherpa boots contrasted superbly against her sister's sandals.  Juxtaposition is her middle name.  She's not afraid of a showdown.
 
 
Plus, she was prepared to woo: she carried a flower for mama.  Instant heartmelt.  She can tuck tunics for the rest of her life (or at least until adolescence descends, bringing too much self-awareness) and all I will see is the smile on her face. 

 
Then there was this one.  The one who expects walks to extend nigh unto eternity.  The one who will run away down the street before submitting to the cruelty of being put back in the house.
 
 
The one who would rather chew carrots (not ever, not at all) than be escorted away from the street.  The one who had fallen into a puddle two blocks ago, and must have been chilled to his tiny bones. 

 
But since he was the third runner (assisted by the handsome coach and his handsome muscles), I let him have a home run.  I thought it might cheer him up.  Turns out, it didn't. 

Something about the fresh air, though, and that insulating layer of blue-bellied sky helped soak up his cries.  I was kind of jealous of the sky; those angry yells belonged in my arms. 

So the golden silence was gone, but my family was home.  It all balanced out in the end.

Tuesday, April 2, 2013

Five

Five is fast.  Five throws her arms out and flies, fueled by a buzzing field of clover.  Five is spacious and stretched out and winded.  Five is free.


Five is a dreamer.  Five sees fairies in flowers and mountain ranges in tree bark.  Five walks right up to the imaginary and makes it real, draping it around her shoulders as a constant companion.  Five is breath and song, tangled together.


Five smells like vitamin D and honeysuckle.  Like clover and raindrops.  Five knows the softness of the grass and the perfection of the breeze.  Five fills her lungs and closes her eyes and shouts do you smell that air, mama?  It's delicious!  Five is right.
 

Five is a picnic party; five is a doll.  Five is gingham and lace and buttons and grace.  And her grace is mine.  Five is bashful and boisterous; five is a paradox.  Five burrows and hides, then smiles and laughs.  Five is joy.
 

Five finds the clouds and the sky with her toes.  Five knows the way.  Five matches the rainbow -- arcing all the colors into the world.  Five spins in circles until she falls in a heap at my feet.  Five pulls my hands until I'm spinning, too.
 
 
Five convinces me that life is to be dizzying and giggly and sweet. 
 
Five is Lauren.  Lauren is five.

Tuesday, March 26, 2013

InstaDumping

Some of our recent shenanigans, courtesy of the square-photo club:
 
After he wore it this way, he turned it around backwards to cover his face.  Then he walked into the same wall three times within eight seconds.  I only stopped snorting long enough to get him turned around.  He was cool with it.


This happened shortly after nine o'clock in the morning.  Because I felt like untangling sucker-hair all the live-long day.  And I wanted to see how much of the paper on Landon's stick would melt in his mouth.  (Answer: 2/3 of it.)
 

My heart was singing and crying at the same time.  They're so grown UP.  And in this moment, they were so getting ALONG.  Suckers are my new mediator of choice.
 

Blueberry smoothies.  A bit on the thick side.  Straws didn't work, but nostrils were surprisingly adept.
 
 

Middle parting like it's 1995.
 
 

Oh, the rainbow birthday cake.  Always a hit.  Always a giant tub of red-dye-40.
 
 

And this husband of mine is not a guaranteed morning person.  At least not until after his superman coffee mug has rescued a few Italian-roasted cupfuls. 
 

Lalaloopsy picnic (inside because it was drizzle-aired and cold that day) for my almost five-year-old.  Lauren is not allowed to grow any bigger, therefore I ate most of her rainbow birthday cake myself.  It's a hard knock life, right?
 
 

Peanuts are cool, as long as his binky is taking up all the room in his mouth.  Also, he's not interested in sharing just yet.  I assume that trait will be honed within the next decade or so, but current household evidence has yet to back me up.
 
 

I hate math, and I hate laundry.  I just didn't know they hated me back.